Sunday, 19 December 2010

OC 13/01/11: PSYCHEDELIC CAMPFIRE TALES


The Outer Church lurches into 2011 with what promises to be a truly immersive audiovisual experience.

The OC is proud to present two films by American director Graham Reznick in association with Aphasia Films/Glass Eye Pix. I Can See You (95 minutes) is a psychedelic campfire tale acclaimed by The New York Times as an “elusive, experimental scare flick [heralding] a splendid new filmmaker with one eye on genre mechanics, one eye on avant-garde conceits and a third eye for transcendental weirdness” while futuristic 3D short The Viewer (15 minutes) is “a telepathic interrogation experienced from the perspective of a suspected murderer.” Anaglyph glasses will be provided for the latter screening.

The uncanny atmosphere will be further compounded by live sets from The Haxan Cloak and The Larsen Effect. The Haxan Cloak is multi-instrumentalist Bobby Krlic, who employs a variety of textures to erect dense scuttling fields of sonic malevolence. The Larsen Effect is the solo project of guitarist Leee Nite, veteran of the psychick wars and such esteemed outfits as Skree, Thor’s Helmet, ManTouch and Morgen Und Nite. Visuals for The Larsen Effect will be provided by acclaimed videowitch Jade Boyd.

Turn up early or you WILL miss something!

Thursday 13th January
Komedia Brighton
7pm
£4 on the portal

Saturday, 11 December 2010

THE OC @ SOUND & MUSIC


Thanks to everyone who attended, performed or otherwise supported The Outer Church last week. It was a blast... on a par with Tunguska, I'd say.

In other news, I was recently interviewed by Frances Morgan of Sound & Music for a piece on Mordant Music's excellent MisinforMation DVD, which was screened with live mix interference from Baron Mordant at last month's OC.

You can read the interview here.

Stay tuned for news of January's OC line-up... expect some "psychedelic campfire tales"...

Thursday, 9 December 2010

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Thursday, 2 December 2010

HMM...



Proto-dubstep track which appeared on...


Originally appeared on...


The cover of which bears a resemblance to...