Tuesday, 22 May 2012

OC100712


Bass Clef's Ralph Cumbers loads his majestic modular (a Doepfer, since you asked) for a set of purest analogue electronics.

Andie Brown conjures "an incredibly seductive sound world filled with layers of dark wafting smoke, deep resonant drones and an amazing full tonal palette" (Foxy Digitalis)

"Cornish cousin of some of the drifting ghost-voices we caught on tape at car-boot sales and incorporated into our non-gig installation work" (Kid Shirt)

Toby Smith draws on a dazzling tonal palette to deliver fractal synthetics from the very heart of the coastal ghostal.

At The Green Door Store, Brighton. Admission £5. Available in advance from WeGotTickets.

Sunday, 22 April 2012

THE OUTER CHURCH COMMUNITY FOGCAST #3

For this edition of The Outer Church Fogcast, Oregon-based artist/writer Brian Churilla takes us in search of an American folk hero. Churilla's acclaimed new comic book The Secret History Of DB Cooper (Oni Press) is a fantastical elaboration on a genuine mystery: the true story of the only successful skyjacking in US history, whose perpetrator was never caught...


TRAXXX
Nova Scotian Arms - Crystalline Gaze
DB Cooper - Transmission #46
Slomo - The Bog (excerpt)
Dolphins Into The Future - On The High Seas
ElpH - Gnomic Verses
Little Owl - Galen Rowell
Ship Canal - The Men In My Life
Raime - You Will Lift Your Frame Clear
The Psychogeographical Commission - The Fertile Omnipitence Of The Underside
Suzanne Ciani - Paris 1971
DB Cooper - Transmission #26

Friday, 20 April 2012

ANDROMEON


Serena Korda's beautiful new video for 'Andromeon' from Alexander Tucker's new album Third Mouth.

Thursday, 19 April 2012

IN SEARCH OF DB COOPER


Out this week is the second issue of Brian Churilla's intriguing Oni Press comic book series The Secret History Of DB Cooper. If drug-crazed carnage, darkly psychedelicute artwork and alternate history mythmaking are your bag, you'd be well advised to grab a copy of this and, if you missed out last month, the first issue too. Want to know more? Well, Churilla may have been involved in the forthcoming third installment of The Outer Church Community Broadcast. Stay tuned for more information.

Saturday, 14 April 2012

THE OUTER CHURCH COMMUNITY BROADCAST #2


Look out below... the second edition of The Outer Church Community Broadcast is now available for insertion in all ears. Our very (very) special guest is esteemed British comics writer Peter Milligan, whose wordcraft has graced a dizzying panoply of strips and titles including Shade The Changing ManBad Company, Sooner Or Later, Hewligan's Haircut, Johnny Nemo, Skreemer, Rogan Gosh, EnigmaBatman, X Force/X Statix, Red Lanterns and, of course, the OC's favourite comic book, Hellblazer - whose protagonist, 'laughing magician' and conman John Constantine, provides the primary focus of this conversation. There's also time for some chat regarding social class, astral travel and Milligan's reasons for leaving Justice League Dark, which teams a DC Universe version of Constantine with Shade, Zatanna, Deadman and Enchantress. All this and a fair bit o' music too. Enjoy...

Saturday, 31 March 2012

NOTHING HERE NOW BUT THE RECORDINGS

Courtesy of those delightful folks at the Broken20 label we present two live recordings from the January edition of The Outer Church. So even those who were not there - and that sucks for you - can immerse themselves in the live electronic majesty of TVO and Erstlaub...

Tuesday, 27 March 2012

IMAGINARY (AND REAL) SOUNDTRACKS

Two items of interest today... first, a track from the forthcoming album by Geoff Barrow (Portishead) and Ben Salisbury (BBC) on InvadaDrokk: Music Inspired By Mega City One is exactly as its title suggests - a collection of pieces composed in tribute to Judge Dredd's home turf. And it's a bit good...



Second, here's an honest-to-goodness, actual, genuine soundtrack, composed by Francisca Goncalves for Goncalo Nuno de Souza's horror film 75CL. On hearing these tracks I instantly got in touch with an invitation to play a future edition of The Outer Church, so stay tuned for further announcements. Here's what Goncalves says about the score: 

"In early conversations with Gonçalo we discussed my appreciation of 70s/80s horror soundtracks and picked as references Wendy Carlos and early John Carpenter films. We both agreed that it would make sense for the film to have some synth based pieces that would suit the Zombie Film aesthetic as well as a few ‘traditional’ pieces to go along with the more dramatic ‘human’ scenes . It was a challenge but I think that all in all we managed to create a good balance and the feedback has been positive."